Speaking Silence: Refractions from Lao Tzu, Bohm and Beckett

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“I have a thousand brilliant lies
For the question:
How are you?

I have a thousand brilliant lies
For the question:
What is God?

If you think that the Truth can be known
From words,

If you think that the Sun and the Ocean
Can pass through that tiny opening Called the mouth,
O someone should start laughing! Now” (Daniel Ladinsky, inspired by Hafiz)

Lao Tzu: “Those who know do not speak; those who speak do not know”

Q: Would you agree with Lao Tzu’s statement that “those who know do not speak and those who speak do not know”? And if so, how come you keep speaking?

Fool: I would never disagree with Lao Tzu. And yet, Lao Tzu spoke those words! He used speech to point out the limits of speech. So, a certain kind of speech is still helpful.


Q: Would you say he contradicted himself?

F: No. Lao Tzu spoke in the spirit of reversal or negation. What he said was a quieting insight into the limits of language, but a limit is not a full deletion of language.

Q: What can and can’t words do?

F: We can fully sense any object in front of us without the need for words. All the qualities of the object are palpable, but “go without saying.” I don’t need to know a word for the color of the object in order to see it. I don’t need to know a word for its smell or shape. It’s only when there’s a practical need to distinguish utilitarian qualities of an object that words become helpful as positive identifications.

People used to claim that ancient people couldn’t see the color blue. But the experience of blueness was always a vivid human experience. Nevertheless, for a long time there was an absence of any practical need to distinguish blue from dark green. This didn’t mean they were less observant or narrower in perception…

Q: … but perhaps less intelligent? A capacity to notice distinctions and make use of them is a sign of greater intelligence. And having a larger vocabulary surely equates to more intelligence?…

F: …More intelligence in a positive direction, carrying more knowledge or memory, which is helpful in a rational, manipulative or focused direction – I would call this “brain athleticism”, which our culture favors. But this intelligence has overshadowed and weakened a negative form, that penetrates certainty, exposes limitations in knowledge, and receives wisdom from a wider perspective than any particular focus.

In fact, by developing a larger vocabulary for different shades of color, we are not necessarily becoming more sensitive to color itself. We are becoming more attuned to artificial categories of color, to names and words, instead of allowing color to remain a direct and ultimately unnamable experience, with its own shifting qualities, depending on light, shade, angle of sun, and contrasting environment.

And the name of a color will both sharpen our focus on that shading and prejudice us into seeing a generalized categorical “type” of color, rather than seeing the actual shifting qualities that morph and run from every defined boundary of knowledge.

The same is true of seeing anything, including human beings. We see “who” a person is based on the categorization we’ve created. Not just “white” or “black” or “Asian”, but “Tom” or “Dick” or “Sally”. We see the stories of one another.

So, this knowledge – this intelligence we gather about the world – can easily become a stupefying prejudice that holds our thinking within biased expectations and dulls our sensitivity to nuances that stray from these expectations.

Q: Are you implying that the more we “know” another person, the less sensitive to them we become?

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The Immaterial Origins of Life and Intelligence: an imaginary interview

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Is the Self an illusion?

On one level I’d say no, because the Self is merely the means by which the body refers to itself. So the Self isn’t delusional from that perspective, because the word and image are grounded in a real referent (the body). However, this projection of a bodily image quickly morphs into a sense of Self that controls the body, or is trapped within the body, as if it were a spirit or separate entity. This is where the illusion starts.

The brain tends to be imagined as a seat of consciousness (also semi-independent from the rest of the body) – wobbling up there like a big, fat turkey on a telephone pole. But this image of a body/brain dichotomy easily morphs into a projection of an even more independent-seeming “mind” drifting above the body like a balloon on a long string. And this “mind” tends to become a synonym for the Self, which sits at its desk behind the eyes and acts like a CEO of the in-corporation, or an overlord of sorts. The varieties of imagery are endless. And even among atheists, this Self tends to take on the qualities of a “soul” as well, a lively essence possessing or inhabiting the body.

But these are not minds, Selves or souls, but merely images — masks that have lured this bodily intelligence into dreams of an autonomous existence over and above the comparatively material level of biology. They are deceptive illusions of minds and souls, illusions of identity.
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Neo Animism

The glen that thinks

Is it too small a story to say I do things independently, as if I were an outside agent? Is it more reasonable to say that it’s the environment that thinks through me and through every tree, bird, person or breath of wind, each an energetic and idiosyncratic manifestation of earthly intelligence?

This body becomes an aspect of its surroundings the moment the assertion of my differences ceases. if I’m not constantly thinking about myself, I dissolve into the world itself.

It requires a story to create a sense of independence. Relax for a moment and I disappear. But disappear only as something alienated from earth and others.

You could tell the story that the woods “inspire Me”. But that’s a story that misses something large. Inspiration IS seeing that tree’s connection and inseparability from intelligence. Intelligence arises between you and me, between trees and me too, and the little stream below where I sit carries the voice of my own intelligence.

This may sound fanciful, but it’s a more practical vision, a more factual one. Less dependent on an imaginary being who somehow “sits in” this body, who carries the name “I”, a little director I used to call “Zingryo” as a kid, sitting on a throne behind the eyes. He is “me”, and when he thinks about himself he is thinking about an Other of sorts, as if this Self he is thinking about were somehow still outside him, always one step removed, as Beckett observed.

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Why Am I Writing?

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I don’t write because I know something. I write because I don’t. This is the narrative of someone who isn’t fully developed and never will be, and who sees things partially.

Writing occurs when a growing tangle of questions (or contradictions between my everyday life and a wider, less self-defensive perspective) becomes uncomfortable, much like a hairball in a cat. So I’m forced to disgorge this tangle in the form of yet another story or essay.

However, it’s not as if there’s a Right answer to anything and all undeveloped perspectives are simply sophomoric. Every definitive conclusion to my questions and contradictions would remain sophomoric (I remind myself), because there is no positive answer, only negative observations (of what is not true).

But this absence of certainties doesn’t imply the absence of honesty. At any stage of development, at any consistent depth of perception, I’m honest to the degree allowed by that particular depth. At a certain depth, the honesty may be only verbal. At another it may be more behavioral (trying to live up to moral codes and such). Or at still another it might be self-lucidity, the ability to recognize the persistent failure to live up to codes, and the kindness inherent in not trying to be perfect anymore, which is an honesty that exceeds morality. They’re all forms of honesty, but some reach deeper.

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