Jackal

[This is a section from the longer story “Jump”, posted yesterday. It’s a war story; maybe an oblique rethinking of the story of Arjuna on the Battlefield, dealing with the meaning of duty and selflessness and illusion. Not that it was rationally planned as a story with that intent. But it intertwined with those issues, while also metabolizing the writer’s own demons regarding the nature of reality and illusion, which had seriously bothered him as a teenager].

Jackal standing in dry grassland beneath a colorful dusk sky

The boy slept poorly and awoke early in anticipation of the mission that night. Then he threw up several times. It was a familiar dread, pre-jump jitters. Not just performance anxiety, or the fear of death, nor the heavy regret of knowing he placed himself in this extreme, and insane predicament voluntarily, nor the envy he feels at breakfast, seeing the carefree jocularity of the ground crew, and the meteorologists, who would never directly enter battle, let alone fly to the roof of the atmosphere itself, and leap into almost pure, frozen space, a half-assed astronaut, a momentary falling spacewalker, until the double-bag static line finishes unfolding, and holds him in a tug-of-war between the canopy pulling up, and the heavy load of his equipment, pulling down.

And then of course, what follows.

But something else was weighing him down now, and had been for quite some time, slowing his every step, as if he were sinking in sand. And it was preventing the boost of adrenaline he’d soon need.

A few hours prior to rigging up, he was hanging out with his “stick” (his paratrooper team) and they were ribbing each other and shooting the shit. Their last moments of relaxation.

But he could never banter very well. He sat on the floor with his back against a door-jam, enjoying the mild grinding pain of the spine against the edge of the jam.

This was his first serious combat jump, a HAHO deep into enemy territory to take out a relay post, and then bushwack back to safe ground, in what’s called an overland exfiltration. In about an hour, they’d start the elaborate procedures and checks and rechecks that took up the better part of 3 hours, prior and during the flight, which was going to be a long one.

Then they’d ride the canopy for a long way this time, about 30 miles, to a drop zone (DZ) in a narrow clearing in the fairly dense coastal forests and then make their way to their objective.

And only then would the real work begin.

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Jump

For Walter Cybulski, exceptional poet and humorist bar none

“Arjuna said: How shall I strike my grandfather, my guru, and all other relatives, who are worthy of my respect, with arrows in battle, O Krishna?” — Bhagavad gita

[The Introduction will make this story a little clearer, maybe]

His Father’s Circus

1950s gas station with circus act, spectators, mechanics, and classic cars

As a very young boy, his father ran a gas station. He was a mechanic and always carried a gigantic wrench, that was nearly 3 feet long and twice as heavy.

And when he wasn’t working on cars or trucks or busses or tanks, he would swing his wrench, and throw it high in the air and catch it, like a heavy metal drum major. And people would drive long distances just to have him fill up their tanks with gas, so they could watch him perform. And he would do somersaults out to the tanks and backflips all the way back to his office. And when he wasn’t working on cars or tanks or trucks, and the lines at the gas tanks had thinned, he’d finally close shop for the day and wander into the bar across the street and ham it up with his friends.

And the small boy would tag along, at first attached to his mother’s bosom, then to her hand, and finally alone, behind his dad, just large enough to be hoisted on the bar stool by a rough hand, and then given a little boost, and finally able to climb the bar stool by himself and drink coca-cola dribbled over huge tankards of ice, chewing the ice, absent-mindedly, while his father laughed and whistled and wagered fortunes on how many pushups he could do in an hour, or whether he could withstand a sledge hammer to his stomach.

Once, a dancing bear happened to be in the bar, and challenged his father to an arm-wrestling match, and the bear won two out of three, but never came back to challenge anyone again.

When the boy was 8 years old, he quit school to become a soda jerk, and got a job next door to his father’s garage. And over the years, as the garage business grew, all the other businesses in town grew by proximity, and profits skyrocketed all around. You could hear the sonic boom for miles.

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Introduction to the story “Jump”

“Can we rely on Jane Austen’s picture of landowning England with baronets and landscaped grounds when all she knew was a clergyman’s parlor? And Bleak House, that fantastic romance within a fantastic London, can we call it a study of London a hundred years ago? Certainly not. … The truth is that great novels are great fairy tales…” (Vladimir Nabokov, “Lectures on Literature”, page 2)

First, this is a strange (war) story. It combines tall tale, fairy tale, absurdly narrow-lensed realism, realism itself (the war segment), surrealism and mysticism (in that order).

Hitching a ride to this story would mean climbing aboard a vehicle with a real Mack Truck cab, 18 oversized cartoon tires and a trailer made of wispy dreams. It might not engender confidence in the driver of this tale.

So, here’s some help in finding an order behind the chaos.

One of the more simplistic questions this story asks is: “What would happen if a paratrooper became “enlightened” (let’s call it that) while falling into a war zone?”

But more completely, it’s the story of a person’s life told in vignettes, and short stories that “jump” from one stage to another, from childhood to deathbed. And each vignette is composed in a style characteristic of the character’s point of view at that moment.

So, for instance, the first one’s in the style of a tall tale, for the boy saw his father as a kind of Giant, as many kids tend to do.

The details of these tellings are nevertheless significant. The events we recall from earlier times are always a little tall in the telling, stretching real experiences into lopsided renderings that might as well be called fairy tales.

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Falling Stones

Photo by Francesco Ungaro on Pexels.com

Audio:

How could a stone, mere Earth,
Falling constantly through space,
How could a stone give birth?
To all that moves with grace?

How does a rock become a bird?
How does it dance and grieve?
It’s something holy or absurd:
The earth itself can breathe.

But when our people fell to ground
Our wings were vestiges of bone,
And when we saw the dark profound
We crawled away to hide in stone

And hiding there our fears grew worse
Until we severed all relations
Our kin in other caves we’d curse,
And every cave became a nation.

This stone conversion from above
Has failed for us, it’s stone we crave,
Mistaking loyalty for love,
Brutality for being brave

Limited Infinities

Train track infinity eastern Colorado by Carol M Highsmith is licensed under CC-CC0 1.0

 

The reader is being reimagined. While this is happening, I’ll shake my notebooks free of the rejected scraps of previous essays.

After that, maybe a new phase can begin. A phase in which writing plays second fiddle to something I can’t really name. I’m not a writer and I have no intention of being hitched to any writerly discipline.

The commitment to a discipline feels narrowing. An intentional commitment feels like I’m putting on blinders and being yoked to a practice that promises its own enticing infinity. An infinity within a narrowing frame.Read More »