The Predator is Real: Learning to See Prismatically

By a prismatic perspective I mean realizing that nothing we think is actual. I think most humble human beings accept that their ideas are not perfect.

Now look at the same realization a little more intensely, that’s all.

What that means is I can only observe a small bandwidth of stimuli even at my best. And from what I Can see, I only remember a smaller fraction. And of those memories, I can only stitch together the few that make the most sense to me. So all I ever know are fictions.

That’s not what we usually think, but it’s the same thing as realizing that our ideas are only interpretations. Interpretations are fictions.

And they can be honest or dishonest fictions. But facts that aren’t the product of some interpretation are few and far between. And they’re usually negative, such as “the emperor has no clothes”. But in this case the negative discovery is that thought is not actual.

So ideas are only at best insightful, not literal.

Without the delusion of absolute truth there’s no motive to lie. Think about that. We lie when we’re trying to convince someone of an absolute truth, even if it’s only the absolute truth of Selfishness, the need to lie to protect my sense of Self. But if we see that nothing is conclusively true, including our sense of Self, but only at most a helpful way of distorting an otherwise ungraspable whole to make it meaningful, then there is no competition between points of view. They all add information, that’s all.

And if nothing can be taken literally, then thoughts become more creative, conjectural, metaphoric, prismatic.

Each word is like a different refraction of an unknowable actuality. Each word provides a slightly different slant or insight into qualities of the world.

So I could have called this a “metaphoric mentality” instead of a “primsmatic perspective.” The word “prism” emphasizes the ability to spin the issue around to get insights into different qualities. When I use the word metaphor, this emphasizes the suggestive nature of thought, the absence of Literalism. But neither of them are the actuality. They are merely different qualities that each metaphor reveals in what would otherwise be a mysterious, ungraspable whole.

So when thought stops trying to be actual, it becomes more creative, trying out different angles to discover wider potentials in the world. We shift from a narrowing search for answers to a widening, adventure-loving exploration, which can’t have an agenda because it doesn’t know what’s coming next. But in this spirited exploration of the world we begin to discover new powers, like the freedom from competition that this prismatic angle provides; the creativity it encourages.

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Defeating the Predator: The Limits of Insights and Convincing Ideas


Thanks to Dirk’s House of the Sun for the image and for interesting commentary: http://www.soul-guidance.com/houseofthesun/predators.html

“We have a predator that came from the depths of the cosmos, and took over the rule of our lives. Human beings are its prisoners.” …

From “Active Side of Infinity”, by Carlos Castaneda


Intro

I hate the loneliness of dishonesty, when I’ve broken some intimate connection with another by holding a poisonous secret. Or maybe it’s the loneliness of being trapped behind a false front, invisible to everyone.

I want to get down from the high horse that writing seems to conjure, because it’s not honest. I’m a mess too. I’m crawling around in the mud after having fallen off my high horse for the millionth time, crouched down among the dirty socks and muddy water, as you are too, nudging you in the ribs to ask “what the fuck is happening here?” Candor is what is needed now, and sometimes I don’t know how to be candid.

It makes me want to shout, like Ronny Cammareri, “I’m not a monument to justice!”

Here’s what I think is happening: We’re facing ourselves in the flesh, you and I, slowly maybe, but the world is forcing the issue, as we hit limits in every direction. We’re being forced to face ourselves without false fronts. In fits and starts to be sure. And as a percentage, not many of us, but millions here and there, now and then.

And this means we’re breaking now and then into a kind of impersonal point of view, where my sense of Self, my wooden character, my public persona, is seen to be coming apart at the seams. And this is good news, but it makes for a very chaotic person, who takes things personally, like a puppet of reactivity, in one instant, and then impersonally, and with unflustered bemusement in the next.

I feel like Pinocchio, parts of me feel almost alive at times.

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