Aphorisms, V.3

  • As the environmental situation shifts, the skills and intelligence we need also shift, forcing us to lose capacities in one direction while developing them in another. So, every new skill reaches a point of diminishing returns. Every medicine becomes a poison. *
  • There is no evolution without death. For those who change, the old form dies. *
  • Evolution isn’t impressed by big brains, if those brains aren’t capable of changing direction (which requires death). *
  • We like to think that we’re the ultimate generalists, able to adapt to any environment because of our technological gifts. But specialization is a sneaky tendency. The technologies that helped us become generalists reach a point of diminishing returns and begin to narrow our attention spans with too much passive absorption, and by corralling our intelligence (our awareness and behavior) along the predictable ruts of algorithms. *
  • Our genetics are recapitulated holograms of the primordial soup, which can germinate in any form when the immaterial lightning of insight alchemically strikes the fertile ground of matter. *
  • Every shift in shape from Tetrapod to whale could be described as earthly insights, leaps in orders of being.*
  • From a communal point of view, evolution is not competitive or comparative, but measured by whether the whole (or holon) is thriving or declining. *
  • We don’t see the relevance of earth and other species anymore, except as playthings or scenic backdrops to our diversions. We’ve become the only relevant thing, which is a loneliness that never existed in previous cultures. A meaninglessness too, because we have divorced ourselves from the undiscovered portions of who we are, which are rooted in the mystery of our surroundings. We slide along the empirical surface of the world, blind to the immaterial forces, which give shape to that empirical world. *
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Aphorisms, V.2

  • There was a spontaneous genius in the Big Bang, which reverberates in all the little bangs that open new worlds through “blown minds” or insight. *

  • The desire for a deathless state (an unending Heaven of one sort or another) is an unintentional desire for lifelessness, for a static and inanimate repetitiveness. *

  • Even if I can’t hear the deep bass of the elephant and the whale echoing across the Savannah or the ocean, I’ll hear their silence. And then I’ll know the real meaning of alienation and loneliness, guilt and sorrow. *

  • Panic is a dog chasing its tail. Funny if I can see the whole dog, and not so funny if I’m caught up in the chase.

  • The question, “what is real?” can only be answered with a sense of humor.

  • Most schools teach only a short-term open-mindedness in order to gain, in the end, conclusive confidence in what is “real.” But a conclusion closes the mind and ends learning. Few schools help students discover a more ineffable confidence in what always exceeds our conclusions.

  • Scientists might cringe, but electrical or nuclear power could be described as hidden forces charmed into being by the magical formulas of math. These invocations isolate attributes of an undifferentiated whole, giving these forces an independent existence and practical purpose they never had. *

  • The scientist can become bewitched into a materialist vision; the salesperson can end up thinking that everyone is selling something. We’re made gullible by any story conflated with fact. *

  • Error is how reality makes itself known. It’s a ceaseless trade wind of correction. Embracing this slant on error, theories no longer strain to be perfect. (A “perfect answer” would put an end to learning). Learning requires riding that current. So, stories flex and shift like sails, catching whispers of larger worlds. Now the wind exceeding the sail is beautiful. *

  • There’s no greater comic relief than recognizing one’s inner demons as fools on the level of Curly, Moe and Larry. *

  • What hasn’t changed is this phony sense of a divided consciousness, this feeling of being the better half of a Siamese twin; the other a dummy of a nincompoop dragging along beside me; a co-creation of my own desired destiny divided by the destiny friends and enemies consider more within my grasp. Probably this Siamese self is nothing more than my own recollected behavior sloughed off on an imaginary scapegoat.

  • Too often, the inner voice (the “I”) escapes into the delusion of being the better angel, who can look back at his dim-witted past from an improved distance. As if I were superior to my own immediate past. And these internal revolutions from dimwit to angel and back again occur in quick succession, like a dog chasing its tail. *

  • For no sooner do I act in the world then I become immediately annoyed by what I’ve done, rising in opposition to this now utterly deposed former incarnation who had been in his own day (of a moment or two ago) an equally enraged monster with regard to previous incarnations.

  • “When I get mad or frustrated with myself I notice that the voice (the “I”) feels distinctly superior to the lout I call myself. It’s a kind of voice-throwing trick, placing “me” perpetually outside the scene of my own error, gazing back at my failures like the lab-coated know-it-all, not like the dummy in the wreck. *

  • Hear me complain about my gaffs with the sternness of an English school-master, condemning what I’ve done from a morally superior third person’s perch (disguised under first person pronouns): “I’ll never forgive myself for what I’ve done!” Or listen as I express the frustrations of an injured party — “there I go again, spilling milk all over myself!” — in this way sidling over to gaze at my wrong-doing as the victim instead of the perpetrator. *

  • The key to learning is being edified and bemused by our own stupidity. *
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Aphorisms (or Short Notes to Clear the Attic), Volume 1

  • I wonder if bad eyesight is caused by a disinclination to see the look on other people’s faces. We blur sight and retreat to senses which are less susceptible to duplicitous signals. So, the eyes atrophy or wear out with misuse.

  • When I take off my glasses, I end up listening more closely. Then the Other listens more closely too. And all they can see in my own blissfully blurred face is a good-natured ignoramus, which tends to awaken a spirit of charity, if not downright pity. Thus, we both become transfigured so long as at least one of us remains blurry.

  • The centrality of myself remains stubbornly pre-Galilean. *

  • What I “know” of another person is only my story of the story they tell about themselves.

  • Our personalities are merely characters in imaginary dramas. When the drama shifts, the personality shifts. If the drama ends, “we” end. Hence, we cling to dramas.

  • The imaginary voice is speaking to an imaginary person. The “I” and the “self” that are being addressed are both part of the imaginary performance.

  • Yes, it’s an inquiry into myself, but it’s not about “me”, as in my personal history or problems. It’s about the common momentum of thought that runs “me.”
  • If we make this conscious distinction between thought and being, then we are able to move in and out of the shapes imposed on perception by thought and language. This allows us to remain somewhat aloof from who we think we are.
  • Whatever we are, we’re not found in passing thoughts. They are merely the traces of our passing.

  • I learn from everything that goes wrong, and everything is always going wrong. *

  • I don’t write because I know something. I write because I don’t. *

  • But it’s not like I’m trying to do something. It’s more like something else is trying to do something and “I” keep getting in the way. And all this tripping over myself to avoid what it wants looks like “effort.” It’s a seductive pretense.

  • Writing happens when effort fails.

  • The only light the “I” produces is the light of its own combustive friction. This friction is produced by trying to avoid the revealing light of awareness. This friction is the cause of Hellfire. Hellfire is the light of heaven burning away.

  • Self-discovery is the discovery of nothing.

  • Self-discovery is the exploration of the cosmos, because the discovery of my absence is the discovery of everything else. But we turn our backs on this larger Being merely because it disturbs the small image of who we thought we were.

  • Writing is neither a means to an end, nor an end in itself. There is a third possibility. Writing is merely what happens when I’m learning. It’s a necessary corollary of the process, but neither a means nor an end.

  • If a necessary corollary to something larger is repressed, then the larger thing also can’t form. But we still can’t focus on the corollary as a means towards the larger thing.
  • I say things after I already know them. I know things silently prior to speaking. I speak in order to hold the surface image steady against a barrage of anomalous information.
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The Whitewashed Corridors: An Allegory

Architecture Building” by Anonymous/ CC0 1.0

Remember when I found you in that long, white hallway? There were no obvious lights anywhere, but somehow everything seemed brightly lit, without any shadows.

The majority of the crowd in the hall was drifting past us in small groups, linked arm-in-arm — probably families and friends, or communities, or economic associations, moving at a fairly steady clip. A few loners were running and bumping into people. Lots of “excuse me’s” and “hey, look out’s” could be heard.

I asked you to stand to the side, because that woman to the left just about ran you over, remember? Of course, I was joking.

I introduced myself as a janitor. Not really part of the crowd. But I’d been working in that complex for as long as I could remember.

Perhaps I’m a spirit, because nobody seemed to notice me. I pushed my invisible broom up and down the various corridors, without paying much attention to the hubbub or what this place was all about.

But after what seemed like several thousand years of sweeping floors, I got a little bored. And I got a little curious about the nature of this complex or whatever it is. You were the only ghost like me I’d ever met. You seemed familiar to me. I saw you on the margins of the page, not quite sure why you were here. I told you to join the club. I said, I think it’s time for me to lay down my broom and start exploring this place a little more. I asked you to join me.

So, we picked out somebody at random to see where he was going. Let’s not bother with describing him, other than to say, he walked alone (which was somewhat rare), early middle-aged, somewhat stooped and nervous, constantly checking his watch. Oh, and he was carrying a backpack that looked fairly heavy. That should suffice, we’re not building a character study. We only wanted to find out where everyone was heading.

Now and then we’d pass someone moving in the opposite direction, almost always mumbling feverishly to themselves. Everyone would try to get out of their way. They had bad hair, which seemed to make people nervous.

It was a non-descript hallway, as I said, except for signs that appeared at every turn, or T, or four corners. The first one we passed said, “just around the corner!” But usually, the signs were more specific.

For instance, sometimes the crowd would move slower. Especially if we came to a juncture. The first one I recall was a four corners – left, right or straight. Our man stopped to consider his options.

The sign to the left read, “This way to Profit”, and a portion of the crowd in business attire — using their briefcases as shields to push through the traffic jam — went scampering off in that direction, talking into their cell phones nonstop. 

But we couldn’t see anything different in that direction. It looked like the same white, featureless hall. And we saw another sign at the end of the corridor, but it wasn’t possible to make it out clearly.

To the right, the sign said, “This way to Life Everlasting!” And a portion of the crowd started heading in that direction, walking arm in arm with their children. And others walked alone with their heads bent in solemn procession. And yet that corridor also looked exactly the same as the others. And the man we were following went straight. We thought, maybe we should have picked somebody more interesting. But that wasn’t the point of the trip.

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Lucid Waking

Dreaming youth by Ernst Barlach
Dreaming youth by Ernst Barlach by Los Angeles County Museum of Art is licensed under CC-CC0 1.0

People talk about lucid dreaming. Just once I’d like to be lucid when I’m awake.

I arose from blessed oblivion again this morning. It’s a shared oblivion that encompasses the origins of the universe itself. We share our beds with galaxies and comets in utero. The oblivion at the core of sleep isn’t the oblivion of lifelessness, nor is it a rejection of earthly existence, but a reunion with the primordial egg of undeceived Being at the heart of earthly life.

Every night we get the chance to recapitulate the origins of the world and awaken with a Big and creative Bang, which is not will, which is not choice, but a spontaneous eruption of something unprecedented in who we are. After all, we can’t choose what exceeds our comprehension.

I love the insistently hinting dreams of early morning. The timeless oblivion of the depths crashing on the shores of waking life, bending the scraps of memory so that they seem like messages in a bottle, warning me of the sleepwalking illusions of “being awake”.

There is a moment in the passage between fluid sleep and the seemingly solid ground of waking when you are neither.  In that suspended space (an eternal space that only appears fleeting when you leave) you realize that the dreams of night were not real after all. And when you turn that same cleansed look towards shore, and peer through all the repetitive dramas of waking life, you see that they are no more solid than the dreams of night.Read More »

An Introduction to the Ringmaster: Why “I Am Not I” and Why this Is the Beginning of Freedom

smiling man in circus suit and hat

Pexels.com

 


An Introduction to the Ringmaster: 

I can’t remain too long in any consistent first person, otherwise you’ll end up believing that I’m really me, and then I’ll be pinned inanimately to the page and unable to shape-shift as any living creature must if it hopes to avoid the tarpits.

Consider Me the ringmaster for what follows. I am part of the performance, just another circus freak, not the kind of Self you’d bring home to meet your mother.

Let’s dare to suggest I’m not even a living thing so much as a material swelling of words, thoughts, ideas, pictures, emotions, the chaotic surface waves left by the spirit of life as it hovered over the keyboard for a moment before passing on to better things. After all, the screen or page you’re reading is not itself alive. Nor is this picture of “me” that hovers over the page momentarily.

Or say instead that this picture of “Me” is a mnemonic shell that formed where life once placed its fleeting and immaterial finger. I am the fossil of something more lively that passed this way.

Or maybe I’m the detritus of memory, a junk-encrusted tumbleweed of ideas of myself, a messy and clanging assemblage of cans and can’t-do’s, recoils, crossed-wires and lost marbles. This would explain why I’m such a noisy sonofabitch.Read More »

“That’s the Show, Waiting for the Show”: The Mysterious “Subject” that Hides in the Shadow of Attention

Some might think I’m dawdling over preliminaries. Like I’m endlessly adjusting my coat and tie, but never actually going out on stage and performing anything. All backstage banter.

That’s not wrong. In these essays the subject itself is backstage banter – the behind-the-scenes mumbling in our own heads.

It’s very hard to find anyone raring to talk about the way we frame reality back there. It throws unpleasant light on our habits of denial, repression and justification, which keep us consistent if nothing else. So this subject is almost inherently “uninteresting” to anyone who considers themselves already sane.

Thankfully I don’t. And neither do some of you. However, you’re almost unlocatable as a group. No demographic defines you. So I’m not even addressing you directly. I feel like we’re sitting side-by-side under a tree together, sharing a slightly psychoactive substance. What we have in common is the willingness (I suppose) to recognize a certain insanity in ourselves and not push the subject aside as a dull complacency. We’re willing to see our condition as abnormal, which is a surprising relief. Because if this way of life isn’t “normal”, then we can begin healing. Otherwise it’s just a condition defining us in some conclusive sense. I guess I’d rather be considered insane than evil.Read More »

Coils and Spirals (story)

timelapse of water around a whirlpool in a pond

Pexels.com

A while back I discovered a part of town I hadn’t known. This was odd because I live in a small city. We’re surrounded by farmer’s fields, they press upon the city walls. Farms and farms, their fumes invade every spring and summer, heralded by legions of pillaging flies, forcing our retreat block by block, week by week, until we find ourselves by August or September in the last green oasis for hundreds of pesticide-ravaged miles, which is the city park, a tangle of briars and downed trees, a green confusion which is never easy to find, perhaps never even in the same place.

I hesitated to say anything about my discovery for months, because I was afraid that the news would make me and everyone else who grew up here look stupid, misplacing, for god’s sake, an entire neighborhood.

Of course, my aunt ignored the gist of what I told her to resume arguing that we’ve not only lived here all our lives, but for all eternity. She repeated the argument daily, and said she was condemned to repeat it the next day, too. She would say time is a loop of dramas, sitcoms, tragedies, and other forms of farce, one following the other, the same characters, the same punch lines, but you’d need to have a perspective like hers, spanning billions of years, to notice that you’ve played these roles before. The theory alone was good enough to make my aunt feel trapped in a giant hamster wheel, panting for air. That was her preferred state of mind, anyways, favoring the stability of a known horror over any unsuspected risk, no matter how small, which is why the deep silos of her eyes glowed bloodshot red, and why she tirelessly scanned the world for confirmation of her worst fears, so she could blow them out of all proportion, and feel moderately relieved when her worry proved exaggerated.

It was a preemptive claustrophobia that rebounded in a momentary illusion of spaciousness.Read More »

Preface to the Essay “The Stupidity of Greatness and the Absurdity of Conflict”

I’m tempted to apologize for the difficulty of the next essay. There are too many links between seemingly unrelated and perhaps even initially uninteresting or irrelevant ideas. For instance, there are links between the potential for abrupt psychological shifts, self-generated extinction, relativity and evolution. I don’t operate by rationally trying to link these disparate issues. An amorphous lump of loose ends (a chaos hiding an implicit order) involving these various issues grows into an uncomfortable tumor of churning thought. And it’s only when I sit down to write (or contrariwise, if I stumble into an alert and wordless frame of mind) that this amorphous conglomerate of disjointed issues begins to unravel and sort itself out into a more orderly arrangement.

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… And Now I don’t

I made a big and interesting mistake in trying to ascertain who you are in the essay “I See You Now.” Even the title sounded threatening. But this is what Negative Geography was built to handle — a place where I can stare back at my own footprints in the subtle mud of language and decipher where I go wrong.

And some of these mistakes reveal ancient confusions, ancient in that they are not entirely personal mistakes, but self-injurious reactions to transgenerational traumas as Mate tends to describe it, stretching back through human history beyond reckoning.

From one angle, this is the kind of mistake that our parents wisely warned us against — staring too long into the image reflected in the water, because we’ll drown in confusion.

However, I’m no longer susceptible to this fear. I think it’s because I already drowned a long time ago and now I’m beginning to crawl back to the shore like some kind of primordial shape, picture a mud puppy if you need to.

The first surface mistake was in devaluing the deeper personal and impersonal relationships I have with many of you. You aren’t some abstract conception of an Other; you are not merely mined for your value and then discarded, which is what I described. But the image I hold of the person listening is mysterious to me still, as if I’m picturing a mind that is still forming; but one that is partially revealing itself in many of you; and sometimes even in brief exchanges with strangers on a bus; with everyone who carries that charge of honesty that can change a life; and all this feeds the image of a wider mind that is listening, a real mind, in flesh and blood. And I made the mistake of accidentally discounting the fact that this potential is visible in real people reading, and is not abstract and disembodied.

So this led to the the second surface mistake — a failure to acknowledge how important these ongoing dialogues with you are in everything I write.

The underlying error, however, is solipsism. But solipsism is not merely a fancy way of describing a self-centered outlook.

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