Aphorisms, V.3

  • As the environmental situation shifts, the skills and intelligence we need also shift, forcing us to lose capacities in one direction while developing them in another. So, every new skill reaches a point of diminishing returns. Every medicine becomes a poison. *
  • There is no evolution without death. For those who change, the old form dies. *
  • Evolution isn’t impressed by big brains, if those brains aren’t capable of changing direction (which requires death). *
  • We like to think that we’re the ultimate generalists, able to adapt to any environment because of our technological gifts. But specialization is a sneaky tendency. The technologies that helped us become generalists reach a point of diminishing returns and begin to narrow our attention spans with too much passive absorption, and by corralling our intelligence (our awareness and behavior) along the predictable ruts of algorithms. *
  • Our genetics are recapitulated holograms of the primordial soup, which can germinate in any form when the immaterial lightning of insight alchemically strikes the fertile ground of matter. *
  • Every shift in shape from Tetrapod to whale could be described as earthly insights, leaps in orders of being.*
  • From a communal point of view, evolution is not competitive or comparative, but measured by whether the whole (or holon) is thriving or declining. *
  • We don’t see the relevance of earth and other species anymore, except as playthings or scenic backdrops to our diversions. We’ve become the only relevant thing, which is a loneliness that never existed in previous cultures. A meaninglessness too, because we have divorced ourselves from the undiscovered portions of who we are, which are rooted in the mystery of our surroundings. We slide along the empirical surface of the world, blind to the immaterial forces, which give shape to that empirical world. *
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Aphorisms, V.2

  • There was a spontaneous genius in the Big Bang, which reverberates in all the little bangs that open new worlds through “blown minds” or insight. *

  • The desire for a deathless state (an unending Heaven of one sort or another) is an unintentional desire for lifelessness, for a static and inanimate repetitiveness. *

  • Even if I can’t hear the deep bass of the elephant and the whale echoing across the Savannah or the ocean, I’ll hear their silence. And then I’ll know the real meaning of alienation and loneliness, guilt and sorrow. *

  • Panic is a dog chasing its tail. Funny if I can see the whole dog, and not so funny if I’m caught up in the chase.

  • The question, “what is real?” can only be answered with a sense of humor.

  • Most schools teach only a short-term open-mindedness in order to gain, in the end, conclusive confidence in what is “real.” But a conclusion closes the mind and ends learning. Few schools help students discover a more ineffable confidence in what always exceeds our conclusions.

  • Scientists might cringe, but electrical or nuclear power could be described as hidden forces charmed into being by the magical formulas of math. These invocations isolate attributes of an undifferentiated whole, giving these forces an independent existence and practical purpose they never had. *

  • The scientist can become bewitched into a materialist vision; the salesperson can end up thinking that everyone is selling something. We’re made gullible by any story conflated with fact. *

  • Error is how reality makes itself known. It’s a ceaseless trade wind of correction. Embracing this slant on error, theories no longer strain to be perfect. (A “perfect answer” would put an end to learning). Learning requires riding that current. So, stories flex and shift like sails, catching whispers of larger worlds. Now the wind exceeding the sail is beautiful. *

  • There’s no greater comic relief than recognizing one’s inner demons as fools on the level of Curly, Moe and Larry. *

  • What hasn’t changed is this phony sense of a divided consciousness, this feeling of being the better half of a Siamese twin; the other a dummy of a nincompoop dragging along beside me; a co-creation of my own desired destiny divided by the destiny friends and enemies consider more within my grasp. Probably this Siamese self is nothing more than my own recollected behavior sloughed off on an imaginary scapegoat.

  • Too often, the inner voice (the “I”) escapes into the delusion of being the better angel, who can look back at his dim-witted past from an improved distance. As if I were superior to my own immediate past. And these internal revolutions from dimwit to angel and back again occur in quick succession, like a dog chasing its tail. *

  • For no sooner do I act in the world then I become immediately annoyed by what I’ve done, rising in opposition to this now utterly deposed former incarnation who had been in his own day (of a moment or two ago) an equally enraged monster with regard to previous incarnations.

  • “When I get mad or frustrated with myself I notice that the voice (the “I”) feels distinctly superior to the lout I call myself. It’s a kind of voice-throwing trick, placing “me” perpetually outside the scene of my own error, gazing back at my failures like the lab-coated know-it-all, not like the dummy in the wreck. *

  • Hear me complain about my gaffs with the sternness of an English school-master, condemning what I’ve done from a morally superior third person’s perch (disguised under first person pronouns): “I’ll never forgive myself for what I’ve done!” Or listen as I express the frustrations of an injured party — “there I go again, spilling milk all over myself!” — in this way sidling over to gaze at my wrong-doing as the victim instead of the perpetrator. *

  • The key to learning is being edified and bemused by our own stupidity. *
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Aphorisms (or Short Notes to Clear the Attic), Volume 1

  • I wonder if bad eyesight is caused by a disinclination to see the look on other people’s faces. We blur sight and retreat to senses which are less susceptible to duplicitous signals. So, the eyes atrophy or wear out with misuse.

  • When I take off my glasses, I end up listening more closely. Then the Other listens more closely too. And all they can see in my own blissfully blurred face is a good-natured ignoramus, which tends to awaken a spirit of charity, if not downright pity. Thus, we both become transfigured so long as at least one of us remains blurry.

  • The centrality of myself remains stubbornly pre-Galilean. *

  • What I “know” of another person is only my story of the story they tell about themselves.

  • Our personalities are merely characters in imaginary dramas. When the drama shifts, the personality shifts. If the drama ends, “we” end. Hence, we cling to dramas.

  • The imaginary voice is speaking to an imaginary person. The “I” and the “self” that are being addressed are both part of the imaginary performance.

  • Yes, it’s an inquiry into myself, but it’s not about “me”, as in my personal history or problems. It’s about the common momentum of thought that runs “me.”
  • If we make this conscious distinction between thought and being, then we are able to move in and out of the shapes imposed on perception by thought and language. This allows us to remain somewhat aloof from who we think we are.
  • Whatever we are, we’re not found in passing thoughts. They are merely the traces of our passing.

  • I learn from everything that goes wrong, and everything is always going wrong. *

  • I don’t write because I know something. I write because I don’t. *

  • But it’s not like I’m trying to do something. It’s more like something else is trying to do something and “I” keep getting in the way. And all this tripping over myself to avoid what it wants looks like “effort.” It’s a seductive pretense.

  • Writing happens when effort fails.

  • The only light the “I” produces is the light of its own combustive friction. This friction is produced by trying to avoid the revealing light of awareness. This friction is the cause of Hellfire. Hellfire is the light of heaven burning away.

  • Self-discovery is the discovery of nothing.

  • Self-discovery is the exploration of the cosmos, because the discovery of my absence is the discovery of everything else. But we turn our backs on this larger Being merely because it disturbs the small image of who we thought we were.

  • Writing is neither a means to an end, nor an end in itself. There is a third possibility. Writing is merely what happens when I’m learning. It’s a necessary corollary of the process, but neither a means nor an end.

  • If a necessary corollary to something larger is repressed, then the larger thing also can’t form. But we still can’t focus on the corollary as a means towards the larger thing.
  • I say things after I already know them. I know things silently prior to speaking. I speak in order to hold the surface image steady against a barrage of anomalous information.
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Preface to “Aphorisms”

I’m a little embarrassed to title something “Aphorisms”, because it seems a little too pretentious and presumptuous. But I recently overheard 30 seconds of a book review of some philosopher’s book of aphorisms as I was walking past a radio. And the reviewer noted that aphorisms tend towards concision (obviously) and humor. And that’s the combination I need.

And when I started scanning through what I already wrote, I realized that I might be able to distill the essence of all these words to a nub, or many little nubs. And when I started throwing them in a list, I noticed that there’s a natural ebb and flow to the nubs. And with a little rough tweaking here and there, and the addition of a few new nubs, the ebbs and flows take on a certain rhythm and direction, without the need for a unifying voice or any tiresomely self-conscious Self, such as the one who is speaking now.

Admittedly, these nubs, ebbs and flows still came out to 37 pages, which doesn’t seem too concise after all. But that’s 6,129 fewer pages than the essays in total. So, count yourselves lucky.

I broke them into three “volumes” (so far). And I’ll post one every few days. I allowed some similar observations to sneak into each volume, because the different contexts add enough nuance to justify the repetition.

So, the whole thing ends up forming something in between an essay and a disjointed list of one-liners. They were fun to compile, tweak and expand. So, I hope they are fun to read.

I’m not sure this ends up “better” or “worse”, but it’s different. And as a different “approach” (an almost headless approach, trusting the connective tissue to form on its own, trusting it to make more sense than the sum of individual observations) it cuts out the middleman (“me”), and hones in on some of the essential insights that might otherwise get lost in the verbose flow of narrative. (I mean, I can’t picture too many people who actually read all this stuff. So, this is like digging up a few of the potatoes that probably got lost in the bed).

So, maybe it’s both better and worse, because these “nubs” also miss more subtle narrative themes that are only possible within the more long-winded essays (which includes this preface).

And now there’s the possibility of a hybrid form of essay, which I might try later.

I should note that any hyperlinked asterisks lead to the essay where the aphorism (or something similar) can be found in its natural habitat.

Time and Timelessness

Photo by Fritz Jaspers on Pexels.com

[This appeared in the May issue of Pari Perspectives]


6am: Long Shadows

The morning shadows are a memory of night. They seem to long for the dissipating darkness. Reluctantly, they retreat, until they are cowering under our feet by midday; and then by late afternoon, leaning once more towards the returning dark.

How can a timeless “now” squeeze between these ceaseless shadows?

The clock, too, is ceaseless. There is no space on the clock face to mark a “now”.

Maybe the clock is only a map of a timeless territory.

Or, perhaps the clock is a spinning prism through which the mystery of time and timelessness can be seen in different slants of light and shadow.

But even a full circumference of 24 hours will not resolve this mystery. Because everywhere I look, I see only the limitations of human perception, not the limitations of reality itself. So, I can’t “know” time, only these slanted perceptions.

Perhaps time can’t be known because there’s no replication possible. Look, this golden-hued sunrise doesn’t hold quite the same golden hue as yesterday’s. Every morning, the clouds change, branches and leaves have fallen, breaking the light a little differently. And my sensitivities change also.

So far, the earth has experienced about 1,658,195,000,000 mornings, and every one of them was different. Maybe the clock never completes a perfect circle, but spirals beyond measure.

Maybe the techno-futurists are wrong, and we’ll never travel to a previous time, or live forever, because something always dies, no matter what. We will always leave someone behind, or some part of us. Or, we’d return knowing what we didn’t then; which would make it something new; not the past at all.

Our desire to escape the anxieties of time leads us unwittingly towards an inanimate repetition of a deathless world; a perfectly circular and repetitive mechanism; an escape from the spiral of renewal, which requires dying to the past and future, as Krishnamurti pointed out so clearly.

Look, already, the early morning hints of spring have vanished under a wintry sky. I have never known a morning like this.

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Neither Materialism Nor Idealism: The End of Dichotomy and the Evolution of Humanity

 

  

 Questioner (Q): Is there a material or immaterial basis to everything?

Imaginary Philosopher: I wouldn’t ask that. It creates a false dichotomy and presumes too much.


Q: You don’t think it’s an important question?

IP: I think we urgently need to question the small visions driving us towards a cliff. Materialism is a blindingly short-sighted vision that degrades our relationship to earthly life. But I wouldn’t focus on an answer.

Q: Why not?

IP:  Any answer to this question is a form of reductive materialism itself, creating dichotomy and conflict. Positive certainty is destructive. We end up thinking we’re absolutely right about something, and those who hold an opposing view become enemies.

Opposing views needn’t be in conflict. Materialism and Immaterialism are only what we see when facing different directions. It’s similar to microscopic  and macroscopic visions. The microscope and the telescope don’t argue with each other. Each has limitations, which are partially completed by the other.


Q: Are you saying it’s both?

IP: Yes, that, and more, they’re all limited.


Q: What are the limitations of both views?

IP: Imagine the absurdity of visiting a doctor because your face is stuck in a frown. The materialistic doctor examines the face, and concludes that the cause of the frozen frown is a combination of changed patterns in blood flow, muscular tension, and temperature, recommending muscle relaxants. Such a doctor would dismiss “sadness” as a cause, because the existence of an immaterial state of mind would be pure conjecture. There’s no material proof of a mind that feels sad.

This may seem absurd, but this is how a typical scientist approaches the study of the material world. We measure the physical attributes of the world and don’t even bother to wonder if these complex systems of order indicate an immaterial intelligence of the earth itself. Materialism limits our vision.

But if we adhere to an opposing viewpoint – that only mind or spirit is real – then the body and the earth itself fade in importance, appearing merely as discardable clothing obscuring the spirit, or as mere illusions, or inanimate shells.

Western culture seems to be vacillating between these two extremes. An abstract Platonism that led to a Sky God divorced from earthly life, becoming a puritanical hatred of the body, which are all different forms of idealism.

And then this strange scientific materialism, which also degrades matter and mines the earth as if it were inanimate.

So, both viewpoints are limited.

Earthly life has been demeaned by both extremes, because we lost a “vision” of sacred matter — a materiality unsevered from the immaterial.

Q: Isn’t this vision of “sacred matter” another competing belief?

IP: Yes, it could degrade into another material fetish of a belief. Do we necessarily move from a belief in materialism or a belief in some form of immaterialism to a belief in “sacred matter?” Many believe that we can only move from one positive belief to another, that it’s impossible to relate intelligently to the world without a symbolic structure that guides us. But this belief is also limiting.

Is it possible to not merely question each belief from a new position of belief, but to question the whole category of “belief”, so that one is not merely thinking about previous forms of thought, but relating to every belief with unvested interest, or ultimate uncertainty?  

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Post-Modernism as a Depersonalization/Derealization Crisis

Between the idea
And the Reality
Between the motion
And the act
Falls the Shadow

From “The Hollow Men,” by TS Eliot

I notice that I share a fundamental starting assumption with post-modernism – the realization that everything is a story, and the impossibility of obtaining “positive certainty” about the full nature of anything.

Even the factual things people do manage to measure with precision are already fictional distinctions premised on limited assumptions. We imagine different ways of separating and measuring what is otherwise an infinite but unrealized potential, the so-called Void.

And I understand (but don’t share) their tendency to make no distinction between thought and thing, because the “thing” is also a thought. Everything we know is put together by narrative – it’s all a fiction. Peering through the post-modern lens, everything, in other words, is just language. From this angle there is no reality beyond language, or no meaning beyond what language ascribes.

There is insight here, but there is also a very subtle blunder. It’s the same one I made as a teenager when I fell into a depersonalization/derealization crisis, which is a terrifying physical and psychological conviction that nothing is real.

Here’s what this post-modern insight misses: If all conclusive meaning (Truth or Reality) is fictional, then this information itself – this negative discovery – is an example of an insight that is non-fictional, non-linguistic. “Truth” doesn’t disappear, but changes at this juncture from positive certainty to negative discovery. Truth changes shape but doesn’t disappear.

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Optimistic Despair: Why there Are No Real Problems in the World, and What to Do About It

“Teach us to care and not to care/Teach us to sit still”

“Ash Wednesday”, Eliot

There is no problem with the world. Only thought makes problems. Every single human problem is only the result of how we imagined things in a crazy way.

Life does have challenges, but every stubbornly knotted predicament, such as mass hunger, war, greed, selfishness itself (internecine competition), are responses to a problematic way of imagining things.

Dropping bombs is not a quality of the earth itself or of life itself, but only a quality of human imagination. War doesn’t exist until we imagine borders, identities, competitive economic systems, hierarchy and status. Mass starvation doesn’t exist until we imagine competition, ownership, and hierarchies that undermine sensible ways of distributing food, as well as monocultural, soil-depleting, destructive ways of growing food.

Even selfishness itself is only a radicalized response to the world, not a quality of the world or of humans by nature. As soon as we begin to imagine the world, and create stories to make sense of it, we have left behind a static vision of human nature and have entered the realm of an infinite plasticity. We can’t hide behind the excuse of nature. Nature is not causing our problems. The imagination is doing that.

Our needs are not problems either. I’ve heard people say that testosterone is a terrible chemical. But testosterone is not a problem. It’s the way this natural energy, this necessary desire, gets perverted into bizarre shapes by our vision of the world, our ways of thinking.

The need for shelter, love, food and sex doesn’t necessitate the problems of identity (pride, greed, lust, envy, gluttony, wrath, and sloth). The infamous seven deadly sins derive directly from a staked identity (from taking our self concepts too seriously). These seven varieties of selfishness are only secondary qualities of the way we’ve fetishized those simple necessities through an overpowerful or too literal sense of identity. A fetish arises only because something has gone haywire in the way we imagine ourselves and our relation to the world.

But the earth itself, life itself, has no problems, only challenges. These challenges are presented to us open-endedly. How we respond to the conditions of life is up to us.

This is why it’s a waste of time and energy to try solving human political, social and technical problems one at a time. Problems are only getting more complicated because we’re empowering illusions by trying to solve them. It’s the imagination that has to be resolved (clarified). We have to unearth our own compulsion of making a fetish out of simple necessities, step out of the momentum driving us to imagine ourselves in such isolated and alienating forms, as if we were each individually the center of the universe.

By spending so much energy working to solve specific problems we spread the virus of fetishistic thinking, which merely grows the canopy of problems and never digs towards that root, which is in our confused relationship to the imagination.

Turning attention to thought is far more practical and leads to far quicker changes than attending to every problematic symptom of thought. The practical approach to life is sleepwalking into a maze of ever-growing problems.

Looking more honestly at our confused relationship to the imagination is the only chance.

But chance for what? For personal salvation? Hardly.

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A New World Is Only a New Mind

I’m picturing a mostly unconscious human being – a mind occupied all day by video games, food, sex, drink, and sleep. Or I could picture a corporate executive who has utterly surrendered to the sociopathic profit motive, perhaps somebody at Shell who has helped to bury the science on climate change. Or even myself more often than I care to admit – my thoughts like mice constantly scurrying to the higher end of a perpetually sinking ship.

But it’s all the same state of mind in one fundamental way at least – a mind perpetually busy trying to outrun itself, trying not to notice the unfathomed compulsion that keeps it busy. In this state of mind (if there aren’t sufficient distractions available) the tendency is to feel subjected to thought, tossed and turned by thought. To avoid the sensation of drowning in this tumult, an inner director, a thinker in charge, a focus of Self, is created, which seems to be a retroactive gloss that thought itself compulsively places over its own shenanigans to retain an illusion of order and control. But in this state of mind there is only a running script (though ad libbed) in which this fantasy of a director (a Me playing the starring role) ends up organizing what is still only a compulsive escape from its own unfathomed turmoil.

I need to emphasize this distinction between people and the habits of thought that hold them captive, otherwise I fall into the common misconception that people who think and do ugly, evil things are inherently (in their blood and bones) ugly and evil, and not merely ill with thought. If I blame the person — even my own starring Self — too much (and I often do) I become susceptible to the illness itself, willing to injure that person just to stop the ridiculous ideas driving them (or me). Then the distinction between these dimensions of life (between the actual human being and the thoughts driving them, between territory and map) is lost, and then I’m driven by the unfathomed compulsions of thought, and capable of ugly, evil things.

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The Nincompoop and the Better Angel or Taking the Red Pill or Rambling (Uncontrolled) Notes on Chaos and Control

One

Let this entry be chaotic and disorderly. I’m tired of writing in a suit and tie. Tired of this formal voice.

Now it’s time to drift into deeper topics so that I might get as close as I can to a real movement, not the idea of a movement. Everyone’s probably heard Korzybski’s “the map is not the territory”. If this is understood as a concept then it’s not really understood at all. As a concept it’s merely another “map.” To really understand what he means the statement has to initiate a full stop, which is an action, not an idea or concept, not another map. I’m trying to write essays that run into the limitations of thought, which would initiate the action of negation, rather than the positing of ideas or concepts.

I’m not sure I’m doing very well yet. But for some reason I can’t stop trying.

So when a new meaning (which is a new way of being) eludes me, remaining tantalizingly close but still too vague to realize, I feel compelled to write. But writing involves not writing for the most part. I wait to catch myself in the act of some relevant stupidity. Then the writing draws attention to this movement of stupidity, and mainly by negation (the elimination of assumptions that divert my attention) I get closer to what is happening.

I’ll place the various negations I encounter in bold.

I wish the writing didn’t end up so f’ing complex, but in reaching for the thing that is just beyond my grasp there are no precedents. I’m always pushing into the dense underbrush of my own unconscious habits, where the new movement distinguishes itself (if I’m patient).

I don’t write knowing anything, but the writing itself allows me to discover things, so that I end up sounding as if I know something after all, which is a lie. But I can’t seem to avoid that lie just yet, so I’ll expose it up front.

(You might say I’m distinguishing “discoveries” from “knowledge” and I am. The first is a negative discovery that pries me loose from blind assumptions, leaving the questions more open-ended; and the other positive certainty (knowledge).

One of the most tantalizing movements that I’ve never had enough patience to focus upon fully is the relationship between chaos and control. It’s a fascinating oddity: Order emerges by realizing one’s own disorder. Or honesty is the realization of dishonesties. Cosmos is the realization of Chaos.

This means the honest fool, who lives close to their own foolishness, never hiding from their mistakes, is a far more interesting and worthwhile companion than the intelligent person striving for the perfect theory or behavior.Read More »