As the environmental situation shifts, the skills and intelligence we need also shift, forcing us to lose capacities in one direction while developing them in another. So, every new skill reaches a point of diminishing returns. Every medicine becomes a poison. *
There is no evolution without death. For those who change, the old form dies. *
Evolution isn’t impressed by big brains, if those brains aren’t capable of changing direction (which requires death). *
We like to think that we’re the ultimate generalists, able to adapt to any environment because of our technological gifts. But specialization is a sneaky tendency. The technologies that helped us become generalists reach a point of diminishing returns and begin to narrow our attention spans with too much passive absorption, and by corralling our intelligence (our awareness and behavior) along the predictable ruts of algorithms. *
Our genetics are recapitulated holograms of the primordial soup, which can germinate in any form when the immaterial lightning of insight alchemically strikes the fertile ground of matter. *
Every shift in shape from Tetrapod to whale could be described as earthly insights, leaps in orders of being.*
From a communal point of view, evolution is not competitive or comparative, but measured by whether the whole (or holon) is thriving or declining. *
We don’t see the relevance of earth and other species anymore, except as playthings or scenic backdrops to our diversions. We’ve become the only relevant thing, which is a loneliness that never existed in previous cultures. A meaninglessness too, because we have divorced ourselves from the undiscovered portions of who we are, which are rooted in the mystery of our surroundings. We slide along the empirical surface of the world, blind to the immaterial forces, which give shape to that empirical world. *
There was a spontaneous genius in the Big Bang, which reverberates in all the little bangs that open new worlds through “blown minds” or insight. *
The desire for a deathless state (an unending Heaven of one sort or another) is an unintentional desire for lifelessness, for a static and inanimate repetitiveness. *
Even if I can’t hear the deep bass of the elephant and the whale echoing across the Savannah or the ocean, I’ll hear their silence. And then I’ll know the real meaning of alienation and loneliness, guilt and sorrow. *
Panic is a dog chasing its tail. Funny if I can see the whole dog, and not so funny if I’m caught up in the chase.
The question, “what is real?” can only be answered with a sense of humor.
Most schools teach only a short-term open-mindedness in order to gain, in the end, conclusive confidence in what is “real.” But a conclusion closes the mind and ends learning. Few schools help students discover a more ineffable confidence in what always exceeds our conclusions.
Scientists might cringe, but electrical or nuclear power could be described as hidden forces charmed into being by the magical formulas of math. These invocations isolate attributes of an undifferentiated whole, giving these forces an independent existence and practical purpose they never had. *
The scientist can become bewitched into a materialist vision; the salesperson can end up thinking that everyone is selling something. We’re made gullible by any story conflated with fact. *
Error is how reality makes itself known. It’s a ceaseless trade wind of correction. Embracing this slant on error, theories no longer strain to be perfect. (A “perfect answer” would put an end to learning). Learning requires riding that current. So, stories flex and shift like sails, catching whispers of larger worlds. Now the wind exceeding the sail is beautiful. *
There’s no greater comic relief than recognizing one’s inner demons as fools on the level of Curly, Moe and Larry. *
What hasn’t changed is this phony sense of a divided consciousness, this feeling of being the better half of a Siamese twin; the other a dummy of a nincompoop dragging along beside me; a co-creation of my own desired destiny divided by the destiny friends and enemies consider more within my grasp. Probably this Siamese self is nothing more than my own recollected behavior sloughed off on an imaginary scapegoat.
Too often, the inner voice (the “I”) escapes into the delusion of being the better angel, who can look back at his dim-witted past from an improved distance. As if I were superior to my own immediate past. And these internal revolutions from dimwit to angel and back again occur in quick succession, like a dog chasing its tail. *
For no sooner do I act in the world then I become immediately annoyed by what I’ve done, rising in opposition to this now utterly deposed former incarnation who had been in his own day (of a moment or two ago) an equally enraged monster with regard to previous incarnations.
“When I get mad or frustrated with myself I notice that the voice (the “I”) feels distinctly superior to the lout I call myself. It’s a kind of voice-throwing trick, placing “me” perpetually outside the scene of my own error, gazing back at my failures like the lab-coated know-it-all, not like the dummy in the wreck. *
Hear me complain about my gaffs with the sternness of an English school-master, condemning what I’ve done from a morally superior third person’s perch (disguised under first person pronouns): “I’ll never forgive myself for what I’ve done!” Or listen as I express the frustrations of an injured party — “there I go again, spilling milk all over myself!” — in this way sidling over to gaze at my wrong-doing as the victim instead of the perpetrator. *
The key to learning is being edified and bemused by our own stupidity. *
I wonder if bad eyesight is caused by a disinclination to see the look on other people’s faces. We blur sight and retreat to senses which are less susceptible to duplicitous signals. So, the eyes atrophy or wear out with misuse.
When I take off my glasses, I end up listening more closely. Then the Other listens more closely too. And all they can see in my own blissfully blurred face is a good-natured ignoramus, which tends to awaken a spirit of charity, if not downright pity. Thus, we both become transfigured so long as at least one of us remains blurry.
The centrality of myself remains stubbornly pre-Galilean. *
What I “know” of another person is only my story of the story they tell about themselves.
Our personalities are merely characters in imaginary dramas. When the drama shifts, the personality shifts. If the drama ends, “we” end. Hence, we cling to dramas.
The imaginary voice is speaking to an imaginary person. The “I” and the “self” that are being addressed are both part of the imaginary performance.
Yes, it’s an inquiry into myself, but it’s not about “me”, as in my personal history or problems. It’s about the common momentum of thought that runs “me.”
If we make this conscious distinction between thought and being, then we are able to move in and out of the shapes imposed on perception by thought and language. This allows us to remain somewhat aloof from who we think we are.
Whatever we are, we’re not found in passing thoughts. They are merely the traces of our passing.
I learn from everything that goes wrong, and everything is always going wrong. *
I don’t write because I know something. I write because I don’t. *
But it’s not like I’m trying to do something. It’s more like something else is trying to do something and “I” keep getting in the way. And all this tripping over myself to avoid what it wants looks like “effort.” It’s a seductive pretense.
Writing happens when effort fails.
The only light the “I” produces is the light of its own combustive friction. This friction is produced by trying to avoid the revealing light of awareness. This friction is the cause of Hellfire. Hellfire is the light of heaven burning away.
Self-discovery is the discovery of nothing.
Self-discovery is the exploration of the cosmos, because the discovery of my absence is the discovery of everything else. But we turn our backs on this larger Being merely because it disturbs the small image of who we thought we were.
Writing is neither a means to an end, nor an end in itself. There is a third possibility. Writing is merely what happens when I’m learning. It’s a necessary corollary of the process, but neither a means nor an end.
If a necessary corollary to something larger is repressed, then the larger thing also can’t form. But we still can’t focus on the corollary as a means towards the larger thing.
I say things after I already know them. I know things silently prior to speaking. I speak in order to hold the surface image steady against a barrage of anomalous information.
I’ll dare to state this as a Negative Truth: Any transition from a lower level of being to a higher order isn’t rooted in the lower order.
An order emerges that exceeds the previous level. But not just exceeds it in power and mass, but in kind. A wholly different organization somehow leaps out of a previous organization without precedent. This lower order can’t give birth to something utterly new without a leap from nothing. So mind doesn’t appear to be a product of matter.
The so-called “new physics” seems to agree. They view the world starting with an infinite potential of information (a form of mind), which precedes the explosion of energy, which condensed into matter. What they’re suggesting is that Mind is the starting point. And Mind is the source of energy, which condenses into matter.
But let’s ask the question anyways: Can matter be responsible for mind?
Is it possible that it is and it isn’t, depending, as always, on context? Is this relationship like a wheel that can be spun in both directions when needed? If we look at the universe as starting with an explosion of energy, we will watch that energy coalesce into matter, which grows in complexity until it produces brains and minds. From there, we’ll also see a secondary wheel spinning in reverse, whereby minds generate energy, and energy is interest, is curiosity, is motivation to re-form matter into tools and computers?
Our mistake might lie in assuming that the wheel only spins in one direction, or starts at the same place. Or is operating on only one level at a time. What if matter, mind and energy are three phases of the same ungraspable movement, spinning in all imaginable ways in any context, wheels within wheels?Read More »
Between the idea And the Reality Between the motion And the act Falls the Shadow
From “The Hollow Men,” by TS Eliot
I notice that I share a fundamental starting assumption with post-modernism – the realization that everything is a story, and the impossibility of obtaining “positive certainty” about the full nature of anything.
Even the factual things people do manage to measure with precision are already fictional distinctions premised on limited assumptions. We imagine different ways of separating and measuring what is otherwise an infinite but unrealized potential, the so-called Void.
And I understand (but don’t share) their tendency to make no distinction between thought and thing, because the “thing” is also a thought. Everything we know is put together by narrative – it’s all a fiction. Peering through the post-modern lens, everything, in other words, is just language. From this angle there is no reality beyond language, or no meaning beyond what language ascribes.
There is insight here, but there is also a very subtle blunder. It’s the same one I made as a teenager when I fell into a depersonalization/derealization crisis, which is a terrifying physical and psychological conviction that nothing is real.
Here’s what this post-modern insight misses: If all conclusive meaning (Truth or Reality) is fictional, then this information itself – this negative discovery – is an example of an insight that is non-fictional, non-linguistic. “Truth” doesn’t disappear, but changes at this juncture from positive certainty to negative discovery. Truth changes shape but doesn’t disappear.
Careful how you move. The beginning is always treacherous. Here the pattern is established. The ink dries fast.
I don’t even know yet whom I’m addressing or what I am, but already a momentum has been established in these notes, an artificial destiny of sorts that I can’t trust entirely, nor will I try to dissipate this cloud of uncertainty by framing it prematurely. Something is evolving here that can’t be shaped intentionally, but which is nevertheless shaped by how honestly I attend its birth. So what pushes the evolution towards a beginning, middle and end?
The beginning is found in these clouds of uncertainty, ghosts of ideas dissipating before they take clear shape, pareidolic in nature, the dust of thought suspended in the oblique light of a dawning concern, over-heated in some ways, to be sure, the Brownian Motion of listless thoughts resolving into more heated currents of desire and fear, the twisting smoke from the cooling coal of a brain, shrapnel from the Big Bang, recapitulating the evolution that had no destiny either, perhaps, and like spilled ink pouring out of a black hole, something forms, and then it looks inevitable, but it never was.
Language is my morning cup of acid. The psychedelics of language turning this perfectly transparent day into an opaque mass that can be molded into a figurine through which I see the reflection of a mind emerging as if it were destiny. Read More »
I’m picturing a mostly unconscious human being – a mind occupied all day by video games, food, sex, drink, and sleep. Or I could picture a corporate executive who has utterly surrendered to the sociopathic profit motive, perhaps somebody at Shell who has helped to bury the science on climate change. Or even myself more often than I care to admit – my thoughts like mice constantly scurrying to the higher end of a perpetually sinking ship.
But it’s all the same state of mind in one fundamental way at least – a mind perpetually busy trying to outrun itself, trying not to notice the unfathomed compulsion that keeps it busy. In this state of mind (if there aren’t sufficient distractions available) the tendency is to feel subjected to thought, tossed and turned by thought. To avoid the sensation of drowning in this tumult, an inner director, a thinker in charge, a focus of Self, is created, which seems to be a retroactive gloss that thought itself compulsively places over its own shenanigans to retain an illusion of order and control. But in this state of mind there is only a running script (though ad libbed) in which this fantasy of a director (a Me playing the starring role) ends up organizing what is still only a compulsive escape from its own unfathomed turmoil.
I need to emphasize this distinction between people and the habits of thought that hold them captive, otherwise I fall into the common misconception that people who think and do ugly, evil things are inherently (in their blood and bones) ugly and evil, and not merely ill with thought. If I blame the person — even my own starring Self — too much (and I often do) I become susceptible to the illness itself, willing to injure that person just to stop the ridiculous ideas driving them (or me). Then the distinction between these dimensions of life (between the actual human being and the thoughts driving them, between territory and map) is lost, and then I’m driven by the unfathomed compulsions of thought, and capable of ugly, evil things.
“He explained that [shamans] see infant human beings as strange, luminous balls of energy covered from the top to the bottom with a glowing coat, something like a plastic cover that is adjusted tightly over their cocoon of energy.
He said that glowing coat of awareness was what the predators consumed, and that when a human being reached adulthood, all that was left of that glowing coat of awareness was a narrow fringe that went from the ground to the top of the toes. That fringe permitted mankind to continue living, but only barely.
As if I were in a dream, I heard don Juan explaining that, to his knowledge, man was the only species that had the glowing coat of awareness outside that luminous cocoon.
Therefore, he became easy prey for an awareness of a different order; such as the heavy awareness of the predator. He then made the most damaging statement he had made so far. He said that this narrow fringe of awareness was the epicenter of self-reflection where man was irremediably caught. By playing on our self-reflection, which is the only point of awareness left to us, the predators create flares of awareness that they proceed to consume in a ruthless, predatory fashion.
They give us inane problems that force those flares of awareness to rise, and in this manner they keep us alive in order for them to be fed with the energetic flare of our pseudo-concerns.”
Carlos Castaneda — “Active Side of Infinity”
A prismatic perspective changes the nature of a conversation. When we realize that thought is not actual, but fictional, then answers, and the deceptions necessary to defend those answers, both go extinct. They become archaeological artefacts of a world that has ceased to exist.
We stop trying to compete to be right the moment we realize that nothing we say is right.
In fact, nothing we say is even Close to being Right, because what we Say about life and life itself are composed of utterly different substances. The map can’t get closer to being the place itself, no matter how precise it tries to be. They are different substances entirely and never the twain shall meet.
But in this case, we’re making maps of a world that becomes more complex and profound as we learn. So beliefs are essentially out of date and primitive the moment they’re formed.
Out of date if they’re proposed as answers, that is. But they become more profound as metaphors – freer to experiment with angles and stories, because we’ve discarded the burden of being right. So we’re no longer being pressed into working towards a singular conclusion.
And then discussions stop being debates over who is right. We stop acting like prosecutors of one another. We stop trying to undermine an “opponent’s” point of view, because it would be self-limiting. So argument dies and questions become subtle requests for directions to the vantage points being discussed, because every new metaphor adds interest and color to everything.
“We have a predator that came from the depths of the cosmos, and took over the rule of our lives. Human beings are its prisoners.” …
From “Active Side of Infinity”, by Carlos Castaneda
Intro
I hate the loneliness of dishonesty, when I’ve broken some intimate connection with another by holding a poisonous secret. Or maybe it’s the loneliness of being trapped behind a false front, invisible to everyone.
I want to get down from the high horse that writing seems to conjure, because it’s not honest. I’m a mess too. I’m crawling around in the mud after having fallen off my high horse for the millionth time, crouched down among the dirty socks and muddy water, as you are too, nudging you in the ribs to ask “what the fuck is happening here?” Candor is what is needed now, and sometimes I don’t know how to be candid.
It makes me want to shout, like Ronny Cammareri, “I’m not a monument to justice!”
Here’s what I think is happening: We’re facing ourselves in the flesh, you and I, slowly maybe, but the world is forcing the issue, as we hit limits in every direction. We’re being forced to face ourselves without false fronts. In fits and starts to be sure. And as a percentage, not many of us, but millions here and there, now and then.
And this means we’re breaking now and then into a kind of impersonal point of view, where my sense of Self, my wooden character, my public persona, is seen to be coming apart at the seams. And this is good news, but it makes for a very chaotic person, who takes things personally, like a puppet of reactivity, in one instant, and then impersonally, and with unflustered bemusement in the next.
I feel like Pinocchio, parts of me feel almost alive at times.
This essay is fictional. Not in the way fiction is usually defined. But this voice – anyone’s voice, even a scientist’s voice – is the invention of a framework that puts experience in a particular slant and color. And there’s no way to avoid this.
Nothing can be discussed or known without being painted in some fictional color. Even the colorless voice of a realist is a fictional application of colorlessness.
Phrases like “everything is this…” and “nothing can be that…” sound reductive and dogmatic. But in this case I’m talking about what can’t be known, not what can. Reality is unknowable. Stories are all that’s known.
In other words, claiming to know anything conclusive about the nature of reality is a sign of bullshit.
And knowing what is bullshit is a fundamentally different kind of knowledge. It’s not reductive, but expansive, because this discovery releases perception from cages of certainty, and awakens a questioning or metaphoric spirit. Read More »
Negative Geography 