“…something that wants to rise and shake itself free” (William Carlos Williams)
I had a fairly disconcerting experience when I was a 9th grade spectator at our school’s varsity basketball game. It was a rural school, Kindergarten through 12th in the same building. Maybe 30 kids per grade, so we knew pretty much everyone, or so I thought. But as I was watching the game, one of the players, maybe two years old than myself, a member of our church, our mothers were friends, became instantly unrecognizable.
I lost the flow of the game and became hypnotically focused on this one person. I tried to juggle the knowledge of his “familiarity” with his sudden alien strangeness. His bearing no longer conformed to anyone recognizable. But in a deeper sense, I was noticing him for the first time. Noticing the discrepancy between the mask of confidence he was trying to wear (the identity he was trying to present) and the unfamiliar reality of himself.
And the alien feeling spread to the entire gymnasium. My hometown crowd, all familiar faces, looked like they were all struggling with masks. It was as if the known character of each person was peeling from their bodies, revealing a routine pretense, which was their public persona, which also revealed something of the real human being struggling with fear and doubt.
I also seemed alien. I had never noticed how herky jerky I behaved. I tried to snap out of this alternate reality, but it stuck around for a long half-hour and then a milder version never fully dissipated the rest of my life. I became even more self-conscious, more herky-jerky, and felt more like a fraud who didn’t know how to stop being a fraud.
But at the same time – and this is far more important – the effect was not one of haughty disdain for myself or others, but an unprecedented feeling of sorrow for the real human beings I’d never noticed before. Beneath the smiles and cheers they looked sad or tired.
Sheer forgetfulness may have been the key accident opening this glimpse into more subtle realities simmering beneath the surface presentation; beneath the scripts that often trap us into being people we weren’t meant to be. Where familiarity once was, now bewildered human forms could be discerned. The vague outline of a soul writhing in a spider’s web or a cocoon, depending on whether they would emerge or not.
As the environmental situation shifts, the skills and intelligence we need also shift, forcing us to lose capacities in one direction while developing them in another. So, every new skill reaches a point of diminishing returns. Every medicine becomes a poison. *
There is no evolution without death. For those who change, the old form dies. *
Evolution isn’t impressed by big brains, if those brains aren’t capable of changing direction (which requires death). *
We like to think that we’re the ultimate generalists, able to adapt to any environment because of our technological gifts. But specialization is a sneaky tendency. The technologies that helped us become generalists reach a point of diminishing returns and begin to narrow our attention spans with too much passive absorption, and by corralling our intelligence (our awareness and behavior) along the predictable ruts of algorithms. *
Our genetics are recapitulated holograms of the primordial soup, which can germinate in any form when the immaterial lightning of insight alchemically strikes the fertile ground of matter. *
Every shift in shape from Tetrapod to whale could be described as earthly insights, leaps in orders of being.*
From a communal point of view, evolution is not competitive or comparative, but measured by whether the whole (or holon) is thriving or declining. *
We don’t see the relevance of earth and other species anymore, except as playthings or scenic backdrops to our diversions. We’ve become the only relevant thing, which is a loneliness that never existed in previous cultures. A meaninglessness too, because we have divorced ourselves from the undiscovered portions of who we are, which are rooted in the mystery of our surroundings. We slide along the empirical surface of the world, blind to the immaterial forces, which give shape to that empirical world. *
There was a spontaneous genius in the Big Bang, which reverberates in all the little bangs that open new worlds through “blown minds” or insight. *
The desire for a deathless state (an unending Heaven of one sort or another) is an unintentional desire for lifelessness, for a static and inanimate repetitiveness. *
Even if I can’t hear the deep bass of the elephant and the whale echoing across the Savannah or the ocean, I’ll hear their silence. And then I’ll know the real meaning of alienation and loneliness, guilt and sorrow. *
Panic is a dog chasing its tail. Funny if I can see the whole dog, and not so funny if I’m caught up in the chase.
The question, “what is real?” can only be answered with a sense of humor.
Most schools teach only a short-term open-mindedness in order to gain, in the end, conclusive confidence in what is “real.” But a conclusion closes the mind and ends learning. Few schools help students discover a more ineffable confidence in what always exceeds our conclusions.
Scientists might cringe, but electrical or nuclear power could be described as hidden forces charmed into being by the magical formulas of math. These invocations isolate attributes of an undifferentiated whole, giving these forces an independent existence and practical purpose they never had. *
The scientist can become bewitched into a materialist vision; the salesperson can end up thinking that everyone is selling something. We’re made gullible by any story conflated with fact. *
Error is how reality makes itself known. It’s a ceaseless trade wind of correction. Embracing this slant on error, theories no longer strain to be perfect. (A “perfect answer” would put an end to learning). Learning requires riding that current. So, stories flex and shift like sails, catching whispers of larger worlds. Now the wind exceeding the sail is beautiful. *
There’s no greater comic relief than recognizing one’s inner demons as fools on the level of Curly, Moe and Larry. *
What hasn’t changed is this phony sense of a divided consciousness, this feeling of being the better half of a Siamese twin; the other a dummy of a nincompoop dragging along beside me; a co-creation of my own desired destiny divided by the destiny friends and enemies consider more within my grasp. Probably this Siamese self is nothing more than my own recollected behavior sloughed off on an imaginary scapegoat.
Too often, the inner voice (the “I”) escapes into the delusion of being the better angel, who can look back at his dim-witted past from an improved distance. As if I were superior to my own immediate past. And these internal revolutions from dimwit to angel and back again occur in quick succession, like a dog chasing its tail. *
For no sooner do I act in the world then I become immediately annoyed by what I’ve done, rising in opposition to this now utterly deposed former incarnation who had been in his own day (of a moment or two ago) an equally enraged monster with regard to previous incarnations.
“When I get mad or frustrated with myself I notice that the voice (the “I”) feels distinctly superior to the lout I call myself. It’s a kind of voice-throwing trick, placing “me” perpetually outside the scene of my own error, gazing back at my failures like the lab-coated know-it-all, not like the dummy in the wreck. *
Hear me complain about my gaffs with the sternness of an English school-master, condemning what I’ve done from a morally superior third person’s perch (disguised under first person pronouns): “I’ll never forgive myself for what I’ve done!” Or listen as I express the frustrations of an injured party — “there I go again, spilling milk all over myself!” — in this way sidling over to gaze at my wrong-doing as the victim instead of the perpetrator. *
The key to learning is being edified and bemused by our own stupidity. *
I wonder if bad eyesight is caused by a disinclination to see the look on other people’s faces. We blur sight and retreat to senses which are less susceptible to duplicitous signals. So, the eyes atrophy or wear out with misuse.
When I take off my glasses, I end up listening more closely. Then the Other listens more closely too. And all they can see in my own blissfully blurred face is a good-natured ignoramus, which tends to awaken a spirit of charity, if not downright pity. Thus, we both become transfigured so long as at least one of us remains blurry.
The centrality of myself remains stubbornly pre-Galilean. *
What I “know” of another person is only my story of the story they tell about themselves.
Our personalities are merely characters in imaginary dramas. When the drama shifts, the personality shifts. If the drama ends, “we” end. Hence, we cling to dramas.
The imaginary voice is speaking to an imaginary person. The “I” and the “self” that are being addressed are both part of the imaginary performance.
Yes, it’s an inquiry into myself, but it’s not about “me”, as in my personal history or problems. It’s about the common momentum of thought that runs “me.”
If we make this conscious distinction between thought and being, then we are able to move in and out of the shapes imposed on perception by thought and language. This allows us to remain somewhat aloof from who we think we are.
Whatever we are, we’re not found in passing thoughts. They are merely the traces of our passing.
I learn from everything that goes wrong, and everything is always going wrong. *
I don’t write because I know something. I write because I don’t. *
But it’s not like I’m trying to do something. It’s more like something else is trying to do something and “I” keep getting in the way. And all this tripping over myself to avoid what it wants looks like “effort.” It’s a seductive pretense.
Writing happens when effort fails.
The only light the “I” produces is the light of its own combustive friction. This friction is produced by trying to avoid the revealing light of awareness. This friction is the cause of Hellfire. Hellfire is the light of heaven burning away.
Self-discovery is the discovery of nothing.
Self-discovery is the exploration of the cosmos, because the discovery of my absence is the discovery of everything else. But we turn our backs on this larger Being merely because it disturbs the small image of who we thought we were.
Writing is neither a means to an end, nor an end in itself. There is a third possibility. Writing is merely what happens when I’m learning. It’s a necessary corollary of the process, but neither a means nor an end.
If a necessary corollary to something larger is repressed, then the larger thing also can’t form. But we still can’t focus on the corollary as a means towards the larger thing.
I say things after I already know them. I know things silently prior to speaking. I speak in order to hold the surface image steady against a barrage of anomalous information.
I’m a little embarrassed to title something “Aphorisms”, because it seems a little too pretentious and presumptuous. But I recently overheard 30 seconds of a book review of some philosopher’s book of aphorisms as I was walking past a radio. And the reviewer noted that aphorisms tend towards concision (obviously) and humor. And that’s the combination I need.
And when I started scanning through what I already wrote, I realized that I might be able to distill the essence of all these words to a nub, or many little nubs. And when I started throwing them in a list, I noticed that there’s a natural ebb and flow to the nubs. And with a little rough tweaking here and there, and the addition of a few new nubs, the ebbs and flows take on a certain rhythm and direction, without the need for a unifying voice or any tiresomely self-conscious Self, such as the one who is speaking now.
Admittedly, these nubs, ebbs and flows still came out to 37 pages, which doesn’t seem too concise after all. But that’s 6,129 fewer pages than the essays in total. So, count yourselves lucky.
I broke them into three “volumes” (so far). And I’ll post one every few days. I allowed some similar observations to sneak into each volume, because the different contexts add enough nuance to justify the repetition.
So, the whole thing ends up forming something in between an essay and a disjointed list of one-liners. They were fun to compile, tweak and expand. So, I hope they are fun to read.
I’m not sure this ends up “better” or “worse”, but it’s different. And as a different “approach” (an almost headless approach, trusting the connective tissue to form on its own, trusting it to make more sense than the sum of individual observations) it cuts out the middleman (“me”), and hones in on some of the essential insights that might otherwise get lost in the verbose flow of narrative. (I mean, I can’t picture too many people who actually read all this stuff. So, this is like digging up a few of the potatoes that probably got lost in the bed).
So, maybe it’s both better and worse, because these “nubs” also miss more subtle narrative themes that are only possible within the more long-winded essays (which includes this preface).
And now there’s the possibility of a hybrid form of essay, which I might try later.
I should note that any hyperlinked asterisks lead to the essay where the aphorism (or something similar) can be found in its natural habitat.
Negative Geography 