The Whitewashed Corridors: An Allegory

Architecture Building” by Anonymous/ CC0 1.0

Remember when I found you in that long, white hallway? There were no obvious lights anywhere, but somehow everything seemed brightly lit, without any shadows.

The majority of the crowd in the hall was drifting past us in small groups, linked arm-in-arm — probably families and friends, or communities, or economic associations, moving at a fairly steady clip. A few loners were running and bumping into people. Lots of “excuse me’s” and “hey, look out’s” could be heard.

I asked you to stand to the side, because that woman to the left just about ran you over, remember? Of course, I was joking.

I introduced myself as a janitor. Not really part of the crowd. But I’d been working in that complex for as long as I could remember.

Perhaps I’m a spirit, because nobody seemed to notice me. I pushed my invisible broom up and down the various corridors, without paying much attention to the hubbub or what this place was all about.

But after what seemed like several thousand years of sweeping floors, I got a little bored. And I got a little curious about the nature of this complex or whatever it is. You were the only ghost like me I’d ever met. You seemed familiar to me. I saw you on the margins of the page, not quite sure why you were here. I told you to join the club. I said, I think it’s time for me to lay down my broom and start exploring this place a little more. I asked you to join me.

So, we picked out somebody at random to see where he was going. Let’s not bother with describing him, other than to say, he walked alone (which was somewhat rare), early middle-aged, somewhat stooped and nervous, constantly checking his watch. Oh, and he was carrying a backpack that looked fairly heavy. That should suffice, we’re not building a character study. We only wanted to find out where everyone was heading.

Now and then we’d pass someone moving in the opposite direction, almost always mumbling feverishly to themselves. Everyone would try to get out of their way. They had bad hair, which seemed to make people nervous.

It was a non-descript hallway, as I said, except for signs that appeared at every turn, or T, or four corners. The first one we passed said, “just around the corner!” But usually, the signs were more specific.

For instance, sometimes the crowd would move slower. Especially if we came to a juncture. The first one I recall was a four corners – left, right or straight. Our man stopped to consider his options.

The sign to the left read, “This way to Profit”, and a portion of the crowd in business attire — using their briefcases as shields to push through the traffic jam — went scampering off in that direction, talking into their cell phones nonstop. 

But we couldn’t see anything different in that direction. It looked like the same white, featureless hall. And we saw another sign at the end of the corridor, but it wasn’t possible to make it out clearly.

To the right, the sign said, “This way to Life Everlasting!” And a portion of the crowd started heading in that direction, walking arm in arm with their children. And others walked alone with their heads bent in solemn procession. And yet that corridor also looked exactly the same as the others. And the man we were following went straight. We thought, maybe we should have picked somebody more interesting. But that wasn’t the point of the trip.

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Notes on the Difference Between Closed and Open Views of Evolution: or why machine intelligence will fail (for earthly life)

Mandala One-Syllable Golden Wheel, Japan
Mandala One-Syllable Golden Wheel, Japan by The Metropolitan Museum of Art is licensed under CC-CC0 1.0

Careful how you move. The beginning is always treacherous. Here the pattern is established. The ink dries fast.

I don’t even know yet whom I’m addressing or what I am, but already a momentum has been established in these notes, an artificial destiny of sorts that I can’t trust entirely, nor will I try to dissipate this cloud of uncertainty by framing it prematurely. Something is evolving here that can’t be shaped intentionally, but which is nevertheless shaped by how honestly I attend its birth. So what pushes the evolution towards a beginning, middle and end?

The beginning is found in these clouds of uncertainty, ghosts of ideas dissipating before they take clear shape, pareidolic in nature, the dust of thought suspended in the oblique light of a dawning concern, over-heated in some ways, to be sure, the Brownian Motion of listless thoughts resolving into more heated currents of desire and fear, the twisting smoke from the cooling coal of a brain, shrapnel from the Big Bang, recapitulating the evolution that had no destiny either, perhaps, and like spilled ink pouring out of a black hole, something forms, and then it looks inevitable, but it never was.

Language is my morning cup of acid. The psychedelics of language turning this perfectly transparent day into an opaque mass that can be molded into a figurine through which I see the reflection of a mind emerging as if it were destiny. Read More »